Artist: Miklós Jancsó Confronting Bodies: Hungarian party bureaucrats Date of Action: 1965 Specific Location: Hungary Description of Artwork: "The Roundup," (Szegénylegények) is a story that takes place in 1869, after the defeat of the anti-Austrian uprising. The police round up the remaining guerrilla outlaws on the Hungarian plains and work to destroyed the rebels' trust in each other. They offer promises of acquittal to further persuade them. At the end of the film, the police identify the active rebels and hustle off those remaining to be executed. One popular reading of the film is its focus on demythicizing the outlaws as courageous freedom-fighters by portraying the rebels as dirty thugs. However, a totally opposite reading can link the film to the 1956 Hungarian uprising, which was also suppressed. With this theory, the film represents those in power maintaining their position through violent, dictorial means by showing the cold, cruel mechanisms the oppressors use to keep control.
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Artist: Italian director Gualtiero Jacopetti Confronting Bodies: South African Publications Control Board (PCB) Date of Action: 1966 Specific Location: South Africa Description of Artwork: "Africa addio" is a documentary film on the conflicts and rebellions of the African continent. Jacopetti describes his efforts in making the film as attempting to interpret it with objectivity. However, the movie fails to address apartheid in South Africa.
South Africa, however, screened the film under special "Europeans only" restrictions. They also removed scenes of Africans being killed and of any discussion of the future of South Africa. The government saw this as a propaganda tool to enforce the idea that South Africa would be ruined if it fell into the hands of black people.
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Artist: John Huston Confronting Bodies: Army officials Date of Action: 1946 Specific Location: United States Description of Artwork: The two films that caused a stir are "The Battle of San Pietro," an army documentary revolving around a battle in World War 2, and "Let There be Light," which follows real veterans who suffered psychological damaged. The making of both these films had been assigned to him by the military.
His first film, "The Battle of San Pietro" was so emotionally powerful in it's scenes of death and destruction (Even though much of it was reenacted footage) that the screening staff ordered it be repressed. However, General George Marshell intervened and had the film released. The second movie, "Let There be Light," was not so lucky. This documentary followed soldiers with psychological damage through their therapy until their discharge. In 1946, military police confiscated the film during a preview showing. The army's reason was that not all the music had been cleared and that some patients did not sign release forms. The true cause is more likely that the army did not like the way Huston portrayed the subject matter. They did not want to worry the public about the psychological effects of war. The army later released another movie on the same topic using actors instead of real soldiers.
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Artist: Taha Husayn Confronting Bodies: Religious authorities, members of parliament, offended students, and members of the sheikh community. Date of Action: 1927 Specific Location: Egypt Description of Artwork: Husayn published several books containing his highly controversial lectures. He argues that in order to progress, "oriental" thinking must be abandoned in favor of the Greek mentality, that the caliphate (an Arabic style of government) was not established by a Prophet and is not required by Islam, and claims that pre-Islamic poetry was mostly forged.
Husyan offered to resign at his univerity, but the offer was rejected. His book was banned but he later revised it and deleted offensive passages. In 1932, the government removed him as dean from his school because of his book, but he was reinstated in 1934.
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Artist: Howard Hughes Confronting Bodies: The Production Code Administration (PCA), the Motion Picture Producers and Distributors of America (MPPDA), and relgious film critics. Date of Action: Through the 1940's Specific Location: United States Description of Artwork: "The Outlaw" is a film focusing on Billy the Kid and his love triangle between Rio, the female romantic lead, and Doc Holliday.
He did not release the film until 1943. Promotional billboards read, "SEX HAS NOT BEEN RATIONED," and How would you like to tussle with Russell, while showing Russell wearing her famous blouse. Critics quickly deemed it immoral, but the movie was a major success. He re-released the film in 1946 and again it was a hit, even in religious areas such as Kansas City.
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Artist: Alexander Korda (producer) Confronting Bodies: The British Board of Film Censors (BBFC) under pressure from the British Foreign Office. Date of Action: 1937 Specific Location: England Description of Artwork: A proposed film adaptation of T.E. Lawrence's (Lawrence of Arabia) exploits and the revolt led against the Ottoman empire.
Upon hearing a very negative outlook, Korda cancelled the film.
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Artist: pepe botella Confronting Bodies: men and women Date of Action: 23'90'3 Specific Location: coolandia Description of Artwork: it hasppened all when the cool boy came to Africa, he didn't speak like the all other comun child he speacke in a very strange way. He said he was Cool! Nobody really knew the meaning of beeing cool, the people didn't understand a thing
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Artist: William Hone and George Cruikshank Confronting Bodies: The Attorney-General Date of Action: 1817 Specific Location: England Description of Artwork: William Hone published radical pamphlets, illustrated with the political satire of George Cruikshank. These usually avoided censorship due to humor and Hone's excellent defense of himself in court.
George Cruikshank, too, saw run ins with the government and was paid one hundred pounds not to portray the king in any "immoral situation."
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Artist: 140 different artists were featured in the exhibit, including: Andy Warhol, David Hockney, Tracey Emin and Gilbert & George, painting-photography duo Pierre et Gilles and Bruce Weber.
The "Miss Kitty" statue was created by Italian sculptor Paolo Schmid Confronting Bodies: Pro-clerical politicians and Letizia Moratti, the mayor of Milan. Date of Action: July 2007 Specific Location: Milan, Italy Description of Artwork: "Miss Kitty," the most controversial piece and the first to be pulled features Pope Benedict in drag. This statue displays him wearing nothing more than stockings and panties. It was originally called "Josephine after the pope's birth name (Joseph), but changed upon request of the event organizers. For the most part, however, the show made efforts to avoid controversy. There was no explicit sexuality according to the few who were able to see it.
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Artist: Nazim Hikmet Confronting Bodies: Turkish government officials Date of Action: 1938 Specific Location: Turkey Description of Artwork: Free verse poetry usually concerned with socialist matters and promoting Marxism. His works are filled with social criticism and he is one of the few writers who spoke out against the Armenian genocide in Turkey.
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Artist: Ezra Heywood Confronting Bodies: Anthony Comstock, a post office special agent and a leader of the social purity movement. The Society for the Suppression of Vice of New York Date of Action: 1887 Specific Location: United States of America Description of Artwork: Heywood's 23-page pamphlet, Cupid's Yokes, is a critique of the institution of marriage. It argues that it is nothing more than a social contract that makes a woman into a "prostitute for life." Free love, he says, would create more equality amongst the sexes and shift sexuality from being something desired to something under the control of reason.
However, a year later, D.M. Bennett, a publisher of a free-thought paper, was arrested by Comstock for distributing Cupid's Yoke through a mail order campaign. This time censors from the Society for the Suppression of Vice of New York wrote in to President Hayes, describing the pamphlet as "Advocating indiscriminate intercourse" and being destructive to the "moral, physical, and spiritual life of youth." A pardon was not granted for Bennett.
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Artist: Heinrich Heine Confronting Bodies: The Bundestag (the governing body of the German Confederation) and the Vatican Date of Action: 1836 Specific Location: Germany Description of Artwork: Heine wrote poems set to music (lieder). Many of these mock social and political issues. Sometimes he used religion to illustrate social concerns using Jesus Christ to convey revolutionary messages. His writing satirized political individuals as well as concepts like bourgeois materialism. He never fought censors, but instead often developed his own specialized style of writing in order to avoid their notice.
At the same time, papal authorities put his works on trial and judged them in secret. In late 1836, the pope announced that many of Heine's works were now banned, forbidding all faithful Catholics to read his texts. No reason was given for this ban other than the fact that it was God's word, so reasons were unneeded. It is now understood that the Vatican was also influenced by an Austrian chancellor, Clemens Metternich, who brought Hein to their attention because of his own fear of Heine's social messages and popularity with the public.
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Artist: Sadegh Hedayat Confronting Bodies: Iranian clergymen and, later, the Islamic Republic Date of Action: 1936 and 1979 Specific Location: Iran Description of Artwork: The Blind Owl tells the story of an artist's obsession over the fear of death. The story would have been deemed acceptable for publication in Iran had certain passages on atheism been deleted.
In 1941, Iran's new shah, Mohammed Reza Pahlavi, removed all censorship restrictions and the book was brought to Iran, where it became a best seller. After Hedayat's death, the book was banned again. In 1979, with the establishment of the Islamic Republic, the work was considered anti-religious and the publisher was put on trial.
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Artist: Various artists who have had works barred from galleries through 2006. Confronting Bodies: Russian Orthodox Church leaders Date of Action: 2007 Specific Location: Andrei Sakharov Museum and Public Center, Moscow Description of Artwork: The exhibit contained various controversial artworks including fornicating homosexual soldiers, swear words, and close-ups of genitalia. However, the pieces most in question feature Vladimir Lenin's head placed on Jesus Christ and of faithful worshipping Mickey Mouse instead of Jesus Christ to a silhouette of the Virgin Mary and son filled with black caviar.
In 2003, the museum had similar charges brought against it over it's show, "Caution: Religion" which featured similar works blending pop culture with religion. For that incident they were fined.
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Artist: Avdey Ter-Oganyan Confronting Bodies: Indignant public and Non-governmental organizations Date of Action: 1998 Specific Location: Moscow, Russia Description of Artwork: During the annual Art-Manezh fair, Ter-Oganyan staged a performance he called "Young Blasphemer" in which he destroyed religious symbols in the form cheap paper icons from church shops. These were defaced with obscenities, nails, fake excrement, and chopped apart by axe. The project was meant to be dedicated to blasphemy as a tool for modern art.
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